Tuesday, June 28, 2011

he applied the maxim to the impression

Villefort's first impression was favorable; but he had been so often warned to mistrust first impulses, that he applied the maxim to the impression, forgetting the difference between the two words. He stifled, therefore, the feelings of compassion that were rising, composed his features, and sat down, grim and sombre, at his desk. An instant after Dantès entered. He was pale, but calm and collected, and saluting his judge with easy politeness, looked round for a seat, as if he had been in M. Morrel's salon. It was then that he encountered for the first time Villefort's look,--that look peculiar to the magistrate, who, while seeming to read the thoughts of others, betrays nothing of his own.
"Who and what are you?" demanded Villefort, turning over a pile of papers, containing information relative to the prisoner, that a police agent had given to him on his entry, and that, already, in an hour's time, had swelled to voluminous proportions, thanks to the corrupt espionage of which "the accused" is always made the victim.
"My name is Edmond Dantès," replied the young man calmly; "I am mate of the Pharaon, belonging to Messrs. Morrel & Son."
"Your age?" continued Villefort.
"Nineteen," returned Dantès.
"What were you doing at the moment you were arrested?"
"I was at the festival of my marriage, monsieur," said the young man, his voice slightly tremulous, so great was the contrast between that happy moment and the painful ceremony he was now undergoing; so great was the contrast between the sombre aspect of M. de Villefort and the radiant face of Mercédès.

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